Monday, March 24, 2008
Saturday, March 22, 2008
Sex And The City - Official Movie Trailer
I posted a trailer for the movie before back in December, but here is the official Sex And The City movie trailer. The Movie is in theaters on May 30th (a couple of days after my birthday!). I cannot wait!
Friday, March 14, 2008
Alicia Looks Great!
Sunday, March 9, 2008
Janet to Release a Weight Loss Book
After receiving many inquires from fans on her weight lost secrets, Janet Jackson is planning on collaborating with her nutritionist, David Allen, to release a weight loss book. This is a good move for Janet, considering that she always manages to quickly get back into shape. I am sure we all can recall about two years ago when pictures surfaced of a not so fit Janet.
The book is due out towards the end of this year--just in time to work off that holiday weight.
Saturday, March 1, 2008
I've Been Bitten
Just yesterday one of my friends was visiting me and I noticed that she had on a really cute vest. She said that the her vest was from the Bitten line by Sarah Jessica Parker. I was aware that Sarah Jessica Parker had a clothing line, but I never thought to check it out. I decided to check it out today, and I ran across some really cute items at very reasonable prices!
HOUNDSTOOTH COAT, $8.98
SS Bias Bib YD Woven Top, $8.98
YD MERCER PENCIL SKIRT, $8.98
TWILL TRENCHCOAT, $8.98
3/4 lap shoulder with button lipstick red, 8.98
BIG BUTTON JUMPER, $8.98
Tuesday, February 26, 2008
Andre to Have Clothing Line?
By Ben Williams
André Benjamin (a.k.a. André 3000) likes short shorts. Short basketball shorts, that is, the kind players wore back in the seventies, the kind that end perilously high up the thigh, the kind that Kobe Bryant recently said made him feel “violated” after the Lakers played a half in throwback uniforms. Benjamin pulls off the look with some flair in Semi-Pro, the latest sports-themed comedy to roll off Will Ferrell’s assembly line. He plays the inventor of the alley-oop, and “by the time we started filming, the shorts were like a second skin to me,” he says. “It seems like you can cut through the air a little bit better in them.”
Not only is Benjamin unafraid to show a little skin—“If you’re tough, and you don’t give a shit, the seventies were so cool,” he says—he’s also something of a sports-uniform historian. “If you look at old football pictures,” he says, “the jerseys were hanging, the sleeves were dangling, but now everything is tucked and tailored.”
Such images, drawn from college football circa 1935, inspired his new clothing line, Benjamin Bixby, thanks to a documentary he stumbled across on TV one night. Consisting of 70 pieces, the line is currently self-funded (he’s looking for a partner) and, he hopes, will be at Barneys in the fall. Benjamin is a fashion autodidact: He has taken advice from Anna Wintour (who invited him to a Met gala), he has sketched the clothes himself, he has been to Italian factories and Parisian textile fairs. (And by the way, if you’re missing his primary career: He’s also working on a solo album for the fall.)
That mix of application and instinct carries over to his personal style. It takes a certain serenity to rock the resplendent Bixby outfit he recently wore to a Fashion Week party: wide-brimmed fedora, green waistcoat, buttery brown leather riding boots (“vintage”) that pushed his pants up, jodhpur style. He looked more like a wealthy, eccentric caballero than a thirties jock toff, but then, he wants the line to tell stories. Benjamin Bixby, he says, “is a character who’s kind of like your uncle, or your granddad, and he has a closet full of experiences and clothes, and he’s been around the world.”
It’s tempting to call Benjamin a dandy, but the word doesn’t quite go far enough—he’s more experimental than that. He’s worn pretty much everything during his OutKast career, from garish plaid to polka-dotted bow ties to pimp furs to turbans to leopard hats to military gear to golfwear.
But as he grows older—“In the hip-hop world, 32 is like being an uncle”—he’s returning to his classical roots. Other Benjamin Bixby pieces, like a pink sweater with a giant emblazoned B, continue a long-standing hip-hop fascination with preppy style that includes the nineties appropriation of Tommy Hilfiger and Phat Farm’s urban take on Ralph Lauren. Growing up in Atlanta, Benjamin was part of a “prep crew” at school with noted butler Fonzworth Bentley. “It was all about being a prep. It was about ties and saddle shoes and Guess overalls and stuff like that.”
Tearing pages out of magazines as a kid left Benjamin with a reverence for English style: He fetishizes “timeless” clothes, name-checks old-school brands like Turnbull & Asser, and calls his own style “classic spontaneity” or “rebel gentleman.” What this means, in effect, is doing a little remix. Here, he’s wearing a Façonnable shirt with Polo khakis and a tie from his new line worn as a belt. “There has to be something inventive about it,” he says. “But not so inventive that it’s a turnoff. So that some of the greats, like Beau Brummell or the Duke of Windsor, would nod and say, ‘Well done.’ Those guys killed it.” Now, that’s hip-hop.
Such images, drawn from college football circa 1935, inspired his new clothing line, Benjamin Bixby, thanks to a documentary he stumbled across on TV one night. Consisting of 70 pieces, the line is currently self-funded (he’s looking for a partner) and, he hopes, will be at Barneys in the fall. Benjamin is a fashion autodidact: He has taken advice from Anna Wintour (who invited him to a Met gala), he has sketched the clothes himself, he has been to Italian factories and Parisian textile fairs. (And by the way, if you’re missing his primary career: He’s also working on a solo album for the fall.)
That mix of application and instinct carries over to his personal style. It takes a certain serenity to rock the resplendent Bixby outfit he recently wore to a Fashion Week party: wide-brimmed fedora, green waistcoat, buttery brown leather riding boots (“vintage”) that pushed his pants up, jodhpur style. He looked more like a wealthy, eccentric caballero than a thirties jock toff, but then, he wants the line to tell stories. Benjamin Bixby, he says, “is a character who’s kind of like your uncle, or your granddad, and he has a closet full of experiences and clothes, and he’s been around the world.”
It’s tempting to call Benjamin a dandy, but the word doesn’t quite go far enough—he’s more experimental than that. He’s worn pretty much everything during his OutKast career, from garish plaid to polka-dotted bow ties to pimp furs to turbans to leopard hats to military gear to golfwear.
But as he grows older—“In the hip-hop world, 32 is like being an uncle”—he’s returning to his classical roots. Other Benjamin Bixby pieces, like a pink sweater with a giant emblazoned B, continue a long-standing hip-hop fascination with preppy style that includes the nineties appropriation of Tommy Hilfiger and Phat Farm’s urban take on Ralph Lauren. Growing up in Atlanta, Benjamin was part of a “prep crew” at school with noted butler Fonzworth Bentley. “It was all about being a prep. It was about ties and saddle shoes and Guess overalls and stuff like that.”
Tearing pages out of magazines as a kid left Benjamin with a reverence for English style: He fetishizes “timeless” clothes, name-checks old-school brands like Turnbull & Asser, and calls his own style “classic spontaneity” or “rebel gentleman.” What this means, in effect, is doing a little remix. Here, he’s wearing a Façonnable shirt with Polo khakis and a tie from his new line worn as a belt. “There has to be something inventive about it,” he says. “But not so inventive that it’s a turnoff. So that some of the greats, like Beau Brummell or the Duke of Windsor, would nod and say, ‘Well done.’ Those guys killed it.” Now, that’s hip-hop.
Source: NYmag.com
Monday, February 18, 2008
Keri Hilson
Check below for an interview that Clutch Mag did with my favorite upcoming artist, Keri Hilson.
Look closely and think hard. You may recognize Keri Hilson from her guest spot on Xzibit’s 2004 hit Mean Muggin’ (Hey Now) and, more recently, on Timbaland’s worldwide smash The Way I Are. But don’t be fooled by her stunning good looks and pop chick persona because this sister is so much more than just a pretty face. With an unrelenting work ethic that’s made her one of the most sought-after songwriters in the business, Hilson’s credits read like a who’s who of contemporary R&B. Think Usher, Ciara, Chris Brown and Toni Braxton, to name a few. At 25, Hilson’s an industry vet who’s making the transition from behind the production console into the limelight. And she proves there’s no such thing as an overnight success. Having been in singing groups since the age of 14, Hilson worked her way up the ladder, honing her craft as a writer while perfecting her vocal skills. With hard work, perseverance and no shortage of talent it wasn’t long before she came to the attention of über-producer Timbaland, who signed Hilson to his label on the strength of a phone call. Her debut album In A Perfect World . . . is due out later this year.
Q: What can we expect from your album?
Well, it’s a good mix of everything. It’s what you know from me as a songwriter and also as an artist. Of course, the Timbaland influence is there. Timbaland and his protégé Danja and Polow produced the whole album. It’s one congruent sound. It’s like a movement. Definitely like nothing you’ve heard. It’s hard for me to describe my songs just because I’m close to the music. I do know that, from a songwriter’s perspective, it has the components to be a great album and do very well.
Q: What kind of music will it be?
In the same way that you can’t really pigeonhole anything Timbaland works on—like Justin (Timberlake), those are R&B songs but he’s a pop artist, they have pop appeal. I’d say it’s kind of like a girl Justin Timberlake with a little more soul and R&B.
Q: Will it be a concept album? What will the songs be about?
The album is called In A Perfect World . . . and by that I mean no one’s world is perfect and mine is no different. I look like I have it all together but at the end of the day I’m a female, I’m emotional. I go through the same things that everyone else goes through and I just wanted my album to depict that reality because everyone has something about their world that they would change. So it’s based upon that idea and I didn’t wanna do an album that painted myself perfect. I’m far from it.
Q: What’s your relationship with Timbaland? How did you hook up with him?
Polow da Don introduced me. Timbaland had expressed an interest for Polow to look for a female R&B artist and Polow thought of me. At that time my second group had disbanded and I was just focusing on becoming a great songwriter. I didn’t feel the need during that time to pursue the artist thing full out, as I knew that something would happen because people knew if I was songwriting I was demoing my songs, and they heard my voice as much as they saw me as a songwriter. Tim called and...
For the rest of the interview go to Clutch
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